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Welcome to Romijn-Online.net, an extensive fan site for the model-turned-actress, Rebecca Romijn Rebecca is known for her movie roles as Mystique in X-Men and her role in Femme Fatale (2002) plus from the hit TV series Ugly Betty. Our goal is to become your number 1 source for anything and everything Rebecca. Enjoy your stay! |
| Rollerball (2002) |
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» Plot - Spoiler warning: Plot and ending details followThanks to wikipedia.org for the informationThe film tells the story of Jonathan E, the veteran star of the Energy Corporation's Houston team, played by James Caan. By virtue of his stellar performance over the years, Jonathan has become the most recognizable Rollerballer in history, to the point where random civilians all over the world recognize him on sight. Naturally, this is problematic for the hegemonic corporations and their Brave New World-esque "Everybody belongs to everybody else" rubric, and so, after another stellar performance in Houston's season-ending victory over Madrid, he is encouraged to retire by Energy Corporation chairman Mr. Bartholomew, played by John Houseman, being offered a nice retirement package including a televised highlight show and an incentive package featuring "privileges", the currency of the society. The film revolves around the struggle of Jonathan to understand why he would be facing so much pressure to retire, with the incentives turning into a gradual degradation of the game itself into so much senseless violence. It is announced that the semi-final game versus Tokyo will be played with no penalties and limited player substitutions, yet Jonathan refuses to yield and plays in the game; the brutality claims the lives of several players and leaves his best friend and teammate Moonpie in a coma. The Corporations hold an emergency meeting to discuss Jonathan's obstinate refusal to retire, and it is decided that the championship game against New York will be played without penalties or a time-limit, in the hope that Johnathan E, if he decides to participate, will be killed during the course of the game. After much personal introspection, and further delving into the true nature of the Corporations that run the world, Jonathan decides he is going to play in the game despite the obvious dangers. Naturally, the final game quickly loses all semblance of order as players are crippled and killed in swift order. The crowd, raucous and energetic at the game's beginning, gradually becomes more and more subdued as the carnage builds. In the end, Jonathan and one lone player from New York are all that are left, and after a brief and violent struggle, Jonathan gets possession of the ball, grabs the helpless New York player by the collar and prepares to fatally smite him as the crowd, both coaches and Mr. Bartholomew all watch in complete silence. With a moment's pause, Jonathan releases his opponent, slowly gets to his feet, and painfully circles the track before throwing the ball into the goal. Some see this as showing in the end that his love of the game means more to him than even his certain demise. Others see it as his rise above the carnage and his refusal to buckle under the pressure of the Corporations. He "wins" in a game where there is to be no winner, showing that people in a mass anonymizing society will still want to believe in heroes that can rise above the crowd and triumph over the establishment. While Mr. Bartholomew leaves in disgust, the coaches and fans of both teams start chanting "Jon-a-than!" louder and louder as Jonathan circles the track, and as the cheering reaches a crescendo, the movie cuts to a sudden end.
» DVD InformationAmazon.co.uk Review Amazon.co.uk Review
This Rollerball, a 2002 remake of the excellent 1975 original, is one of the most notorious failed would-be blockbusters of recent years. Chris Klein struggles as Jonathon Cross, star of the violent game of the title, a mixture of speedway, hockey and rollerskating for the WWF generation. Perfunctory support comes from Rebecca (X Men) Romijn-Stamos, while Jean Reno is the promoter prepared to sacrifice player's lives for TV ratings. The remake could not be more different from the original in tone, as formal elegance is replaced by a cacophonic heavy metal soundtrack and MTV-style editing that makes the games impossible to follow. Set in the present, this Rollerball ironically fulfils the original's suggestion that the near future would be a big business, media-dominated world of blood and circuses. The film's best asset is relocating the story in a crumbling and corrupt Russia, a world sufficiently alien to have a genuinely science fictional resonance; the elaborate production design and wild profusion of costumes suggest post-communism, post-modern, global melting pot freefalling out of control, paying homage to Ridley Scott's seminal Blade Runner (significantly, perhaps, LL Cool J's character is called Ridley). Not quite as disastrous as expected, one still wonders how John (Die Hard) McTiernan made an action thriller this mediocre.On the DVD: Rollerball's commentary by Chris Klein, LL Cool J and Rebecca Romijn-Stamos is jokey, amiable and reveals plenty of filmmaking trivia without offering anything substantial. The "Rollerball Yearbook" presents text profiles of the four teams and 11 key players linked to "highlights", i.e., montages taken from the film of the participants. This also has sections on six areas of the "Roller Dome" and three sections on "Game Gear", which amounts to a photo gallery of costumes, masks and bikes. Also included is the theatrical trailer and trailers for three other SF movies. The anamorphic 2.35:1 transfer is excellent, and the Dolby Digital 5.1 sound is suitably dynamic and raucous. There are subtitles in six languages as well as English and English for Hard of Hearing, while the disc also contains French and Spanish dubs of the main feature. --Gary S Dalkin DVD Description Rollerball takes place in the not too distant future, and the future is fierce. A notorious renegade sport, Rollerball packs arenas all over the world. A global viewership bets and roots for star players Jonathan Cross (Chris Klein), Marcus Ridley (LL Cool J) and their beautiful teammate Aurora (Rebecca Romjin-Stamos) who skate and motorcycle past opponents to score. Despite the danger of the fame, the real threat lies in team owner Petrovich (Jean Reno) who sacrifices anything and anyone to maximize ratings, which are worth more to him than the final score. In an heroic move, Jonathan and his teammates attempt to expose the corruption and treachery. It's a risky play and the penalty is lethal...
» Critics ReviewsThanks to critics for the information[ Back ] |